“Each curator is unique like every artist is unique, I believe,” says Nici Cumpston, a leader in the Australian arts who…
Art Guide Australia | Review: Bauhaus Now!
In 2019 galleries and museums across the world are celebrating 100 years of the Bauhaus, the modernist German art, design…
Art Guide Australia | Podcast: Anna Davis on collaboration and experimentation
When Anna Davis discusses being a curator, she talks about collaboration, conversation and experimentation. At one point, Davis sums up…
Meanjin | Is Art Pop? On Darren Sylvester’s Promises
In the 1997 film The Castle, the obvious-talking young narrator named Dale Kerrigan has a totalising faith in the promise of shared,…
Art Guide Australia | TarraWarra International 2019: The Tangible Trace
An abandoned seaside motel stands in Port Dickson, Malaysia. After being sold to foreign speculative buyers in the 1980s, it…
Art Guide Australia | Podcast: Gemma Smith on the persuasion of colour
Colour is simultaneously the most apparent and most complex part of Gemma Smith’s practice. The artist, who has a penchant for…
Swampland (Online) | Pure Performance: The Glittering Intensity Of V
Like Madonna, Beyoncé, Cher or Rihanna, V is simply V. The pop references might seem incidental for an artist who…
