She-Oak and Sunlight: Australian Impressionism Among plenty of paintings of the Australian landscape there are unexpected, flooring moments: one is … More
Author: Tiarney
Art Guide Australia | Interview: Matthew Harris on camp, class and culture
From repetitions of flowers to grim reapers riding unicorns to cartoon devils gleefully inflicting pain on their enemies, the paintings … More
The Age | ‘I’m trying to crack a code’: mum’s brain injury inspires artist
Jennifer Arnold’s words unfold, like inscrutable clues, across her daughter’s paintings. Written in a flowing script, the phrase “déar Dé-light” … More
Art Guide Australia | Interview: Anne Wallace on realism, motherhood and creating tension
Drawing upon passing scenes from life, and filled with allusions to pop culture, Anne Wallace’s realist paintings deliver images that … More
Art Guide Australia | Podcast: John Wolseley on revealing landscapes for 60 years
For over 60 years John Wolseley has been visiting, capturing and sharing his experience of landscapes. But what does it … More
The Age | Seeing like Jeffrey Smart: how empty streets gave me a new insight
There was both rain and sunshine; buildings and roads appeared brighter than the darkened clouds. In a strange stillness, I … More
Art Guide Australia | Podcast: Wendy Stavrianos on landscape, nature and gender barriers
What does it mean to create and innovate over six decades? Art Guide Australia’s newest podcast series The Long Run considers this … More
Art Guide Australia | Podcast: Gareth Sansom on painting, chance and mortality
Creating, evolving and innovating over decades takes great stamina. Art Guide Australia’s latest podcast series features conversations with three established … More
The Age | Artist Danila Vassilieff was selling his house. There was just one catch
When Elizabeth Hamill visited Stonygrad in Warrandyte in 1947, the owner agreed to sell the house on one condition: that … More
Art Guide Australia | Review: The 22nd Biennale of Sydney makes witnesses out of us all
This could be the catch-cry of the Biennale which, titled from the Wiradjuri word NIRIN and meaning “the edge,” delivers the artist … More
Tiarney Miekus 